The meaning of 'the beautiful' and 'the sublime' as an aesthetic lingual duo is rooted in discourses on language, nature, literature and visual art. “Frederick Law Olmstead and the Dialectical Landscape,” The Writings of Robert Smithson: Essays with Illustrations, NY: NY University Press. Waterloo, Ontario, Canada: Wilfrid Laurier University Press. The Imprint of the Picturesque on Nineteenth-Century British Fiction. Stanford, California: Stanford University Press. Beautiful Sublime: The Making of Paradise Lost, 1701 – 1734. Washington University Gallery of Art, St.

The Beautiful, the Sublime and the Picturesque: British Influences on American Landscape Painting. The Genius of the Place: The English Landscape Garden 1620-1820. Speech given at Manchester Metropolitan University, New Painters Conference, Liverpool, UK. Philosophical Inquiry into the Origin of our Ideas of the Sublime and Beautiful. Columbia, South Carolina: Camden Press.īurke, Edmund. Wordsworth, Turner, and Romantic Landscape.

Sun sublime